Gustav Vigeland‘s sculpture park in Frognerparken is without doubt my favourite part of Oslo. It’s “simply” a collection of sculptures of people doing different things, but ever since the first time I saw it I fell in love with the park. I have been there many times and I have taken many pictures of the sculptures, and when I went there again about a week ago I remembered how much I like it and decided it was about time I wrote about it and made my personal “ode” to it.
The most famous sculpture is the “Angry Boy”, a sculpture of a little boy crying. While it’s expressive, funny and original, I think it’s a pity that many visitors seem to only pay attention to that one, and miss the dozens of amazing sculptures around it.
The reason why I like these sculptures so much is that, in my view, they represent the essence of what is being human. They are completely stripped down, timeless and lacking unnecessary elements. Adding clothes to these sculptures wouldn’t work because they would make them belong to a concrete time and culture, and thus lose their expressive power. I also like the nakedness because it reminds me of how clothes and many other social conventions often hide how similar we all are, and how we often forget what really matters and what doesn’t. Thus, it’s no surprise I get annoyed when people refer to it as the “park with the naked sculptures” :-) They’re indeed naked, but that’s missing the point of the park miserably.
When I think about why I like these sculptures so much, I can’t help thinking about the book “Technopoly” and the book (and movie) “The Road“. I see all three as being about being human and about stopping for a second, forgetting about all the things you assume (as part of your everyday life in whatever society you live in) and considering what you think is actually important; what is “essentially human” and what is simply a detail of the current culture and time; what is strictly necessary and what “needs” are artificial.